Marcel Duchamp

Coeurs Volants. Courtesy Francis M. Naumann Fine Art. New York

(via Nina Katchadourian)

bookspaperscissors:

Ceramic art by Carol Gouthro

“I have a strong interest in natural forms, cultural artifacts and personal mementos. I am drawn to ornament, embellishment, pattern, and texture. For the last ten years the vessel forms in my ceramic work have slowly been evolving into botanically inspired hybrid sculptural forms. In working on these pieces I have become more involved with the details, the close ups, the abstract, the peering into. My interest in detail, layers and encrustations has been heightened by repeated travels to India and China. I am fascinated by the complexity, diversity, beauty and danger of the natural world and this leads to thoughts about growth, nourishment, attraction, and sexuality. Built into these hybrids are some of the artifacts and mementos that form my DNA.”

(via Exhibition: ‘Warhol and Cars: American Icons’ at The Andy Warhol Museum, Pittsburgh)

(Source: a-propos-de-cracovie)

stronder:

Edvard Munch. Das kranke Mädchen [The Sick Girl] 1896

(Source: avillainousmagician)

(via Review: ‘Tourist #5: Disappearing Project 1 – 41′ by Nicola Loder at Helen Gory Galerie, Prahran, Melbourne)

Nicola Loder
Tourist #5: Disappearing Project 1-41 (no 17)
2012
Polyester thread, muslin
86 x 69cm

Albrecht Durer - Study Of Drapery , c.1521

(Source: kirgiakos)

artchipel:

Yang Yongliang - Phantom Landscape I No.3. Epson inkjet print on fine art paper, 134x60 cm (2006)

(Source: definitelydope)

georgiadot:

by Francis Bacon

(Source: georgiadots)

theshipthatflew:

archives-dada: Hannah Höch, Brushflurlet, photomontage, 1945